Individuals should and need to feel like they have the right to want. That is the message that artist Anastasia Lemberg-Lvova is continuously expressing through her artwork. Exemplifying socially-engaged art, Lemberg-Lvova aims to be a part of a much broader political movement which discusses important historical and modern-day social processes through creative means.
The second-wave feminist movements from the 1960s is one example of such a powerful movement. With their infamous quote, ‘The personal is political’, authored by millions of voices of women collectively rather than one feminist author, the message that every individual has the right to a voice was heavily stressed. As personal experiences took center stage and the individual became a political platform during the feminist movements, crowds of individuals also gained new meanings of courageous collectivity. Ultimately, the movement gave opportunity for previously ignored and taken-for-granted personal circumstances to be framed in a bigger picture - a picture that women as minorities were often left out of.
Continuing to portray the central message that movements such as the feminist strikes and many other historical crusades have fought for, Lemberg-Lvova uses her own art to focus on the younger European generation, highlighting the vast diverseness of the voices that live in Europe and sending a bold message that evidences a heterogeneity which needs to be more thoroughly discussed amongst the European community. With her projects, she is able to recognise the ways in which the systemic infrastructures that exist around the individual leave them feeling insecure or insignificant in relation to their voice and its right to exist in public. By initiating healthy conversation and focusing on this very elemental act of daring to express one's desires towards public space, she has created a platform that encourages individuals to learn to voice their opinions more often, ultimately leading the person to be engaged as the multiplicities of voices are amplified to lead to more diverse discussion and perhaps outcomes.
Her exhibition, ‘Don’t Avoid What is Easy’, on show from August 14th – September 9th at the Freedom Gallery in Tallinn, Estonia, is thus the result of 2 years of research conducted mainly through interviews of younger generation individuals during her own expenditures through Europe. Although seemingly humble in its outcome as portraits, there is a strong message behind Lemberg-Lvova’s work, depicting the notion that we should feel more confident to voice our opinions about our public surroundings, Lemberg-Lvova uses art and representations to give a voice to over 100 participants from 24 European countries.
By painting vibrant oil portraits of a selected 7 individuals whom she interviewed, she touches on the concept of art and its political capacity by explaining “There will be portraits of participants with a visual interpretation of their wish as the background. The experience of, as we often say, “putting a face to a name” has a profound effect and is more intuitively understood than just going through text or trying to grasp abstract ideas. Painting as a form of expression is immensely malleable and useful when getting ideas across.” The desire to initiate discussion and give it a platform within the context of a gallery means Lemberg-Lvova’s art is inherently social and public. These qualities make for an intriguing space where the audience can identify small changes that resemble the tip of a much bigger iceberg-- or at least the ignition of confidence and curiosity.
This focus on the first and easiest step sometimes being the hardest is something of great importance for Lemberg-Lvova as she explains “An inhabitant of a city logically has the right to express ideas or wishes when it comes to their surroundings - it is, after all, their home. But they are often stuck in the belief of not being able to change anything. In this instance, I am not talking about taking action or creating a plan. This is about the simplest first step that does not require anything - feeling like one is entitled to express a wish. It doesn’t have to lead anywhere; just remember that you have the right to want something. What follows is a different matter, but it is clear that nothing will happen without this first step.”
An interactive wall installation where participant answers are projected for all to see will pay homage to the importance that Lemberg-Lvova holds for communities to listen to the expressions of their surrounding civilians. She explains “From an early age, our heads are flooded with subliminal messaging and that often diminishes internal self-worth. Let me explain this from the point of view of a woman - a frame of reference I am most familiar with. As a woman one feels that unless they have perfect dazzlingly white teeth, flawless hair, a tiny waist and the right kind of shoes they are not worthy of expressing an opinion. Because if you do not fulfill all of the criteria above, no one will listen to you or even consider you worthy of attention. This is a cliché, yet it exists because it is true. It describes the reality of many women, because we are surrounded by sources reaffirming it - adverts, friends, sometimes parents or spouses, fitness centers and the list goes on. At the exhibition, I am striving to fill the space with messaging that reiterates one’s right to express their wishes whoever they are.”
Her message is clear – we should not avoid formulating our wishes in matters that concern us. Her persistence to initiate discussion and to give it a platform within the context of a gallery means her art is inherently social and public. These qualities make for an intriguing meeting space for the artist as well as her audience amongst each other.
Open Studio at Kogo Gallery, Widget Factory (Aparaaditehas), Tartu, Estonia: 08.07-01.08
Exhibition “Don't Avoid What is Easy - Diplomacy meets art” at Vabaduse Gallery: 14.08-09.09
Tiiu Meiner is a writer and freelance curator based in Rotterdam, the Netherlands. She is currently working on ? performative workshop “The fragility of Truth”, and on a film project about the geo-political narratives of sand quarries."
Valeriya Billich also contributed to this article. Photos: Mariia Nedosekova